Or, if that’s not to your liking, check out our next lens, the 35mm f/1.8. But if that’s you, there’s one other important issue to be aware of; motor noise. As the range of wide angle lenses available for Sony’s fantastic Alpha 7III Mirrorless cameras rapidly expands, the task of narrowing these down to a definitive first choice becomes ever more difficult. And the 28-135mm was made to balance it. 9) Manual focus lenses can be focused easier (percentage of in-focus shots with a manual lenses is much higher with Sony due to focus peaking) 9) You can see a … The quality of out of focus areas of an image is what is referred to as bokeh. What you'll find here is a series of field tests of mostly old, mostly affordable manual focus lenses attached to the Sony A7s, the Sony a6000, the sony a6500, and as of summer 2018, the Sony A7iii. So if you’re in the market for a fast multipurpose lens of this kind, and can afford the asking price, the FE 24-70mm f/2.8 GM is unlikely to disappoint. You want sharp footage? It actually works very well though; once you find the right technique. Released five years after the original A7, the Sony A7III marks the third generation of Sony’s ‘entry’ level full-frame mirrorless camera series. With that said, Sony’s implementation of focus-by-wire technology is among the best in the industry. The Sony Distagon T* FE 35mm f/1.4 ZA is not a small lens by any means. And for this reason alone the 85mm GM doesn’t make it to the top of my list of the best a7III lenses for video. These are few and far between, however, and any native lens for the Sony a7III that doesn’t produce a nicely sharp image is likely faulty and should be returned to the dealer. Sony LA-EA5 A-Mount to E-Mount Adapter Sony ALC-R1EM Rear Lens Cap Sony ALC-B55 A-mount Camera Body Cap Case Limited 1-Year Warranty. Yet it must be said that there is a little bit of softness detectable at the edges at this aperture. However, you would still do well to avoid excessively noisy lenses. This can make the difference between getting a technically perfect shot or having to compromise in some way (e.g. Well, yes, this isn’t a cheap lens (indeed, which Sony lens is cheap?). Even more so when you consider that zooms of this type typically suffer from a degree of AF motor noise. The above advice is just as valid whether you’re looking for a lens to shoot stills or movie clips. When this is done well, most users will not notice much difference from true manual focus. Often quite a lot more money. Best Lens For Sony a7iii: Final Thoughts. Needless to say, then, the advantage of prime lenses is that they tend to have superior optics and faster maximum apertures than zooms – at least when compared dollar for dollar. Yes, it’s that sharp! And so there’s no simple formula we can follow for understanding how the bokeh of a given lens is likely to be. Another major selling point with this lens is its optical image stabilization, which works brilliantly. How useful you’ll personally find the power zoom function will depend on your particular shooting style. Your email address will not be published. But aperture isn’t just about exposure, but also depth-of-field. The lens produces extremely detailed, high resolution images with great contrast. (I sold my Leica M240 M-P to fund the Sony A7RIII) Sure manual focus only, but small, light, sharp, top quality glass. And, importantly for videographers, the dedicated aperture ring can be switched over from clickable to step-less control; resulting in smooth and seamless adjustment of aperture while shooting. When it comes to zoom lenses this is what I suggest: Sony FE 12-24mm f/4 G (Amazon, B&H)Sony FE 16-35mm f/2.8 GM (Amazon, B&H)Sony FE 24-70mm f/2.8 GM (Amazon, B&H)Sony FE 70-200mm f/2.8 GM OSS (Amazon, B&H)Sony has the entire range covered, and the zooms and AF combine perfectly with the a7/a7 series of cameras. But this soon clears up at smaller apertures, and shutting down to f/5.6 will give you the optimum degree of sharpness both at center and edges. Your email address will not be published. The 85mm GM comes with a dedicated manual aperture ring, permitting iris adjustments in one-third of a stop increments. With its full frame sensor and fast and accurate autofocus, the Sony a7III is well suited to serious movie work. The only challenging part with manual lenses for me with my eye sight, the Sony can highlight for you the focused zone, while I'm concerned I won't get that easily with another camera. The lens is beautifully sharp in the center, even at f/1.4. Or indeed for any situation where you need to isolate your subject against a softly blurred background while retaining maximum resolution in the foreground. A note of warning though; a few users have reported occasional variations in quality control on these lenses. There are dozens of lenses from third-party manufacturers, there are dozens more dedicated Sony lenses, and there are tons of variations between zoom lenses, macro lenses, lenses better suited to astrophotography, portrait lenses, and the list … The lightest 50mm E-mount lens is the Sony FF 1.8/50 at 186g and the Samyang 1.8/45 is even lighter at 162g, while the heaviest lens, the Sigma Art 1.4/50, weighs 910g. Sure, sharpness isn’t everything in a lens (just nearly everything). Sony FE 24-105mm f/4 G OSS ($1,298): Sony’s new FE 24-105mm F4 G OSS lens delivers excellent corner-to-corner sharpness throughout the entirety of its zoom range, while also producing beautifully rendered ‘bokeh’ or background defocus at all focal lengths.This lens also features fast, precise and quiet autofocus capabilities in … This lens takes great photos, and it is capable of creating a sharp image that is the main focus of the portrait. Mostly they deliver exactly as they are supposed to, but if your copy isn’t as sharp as you expected, be sure to exchange it for a fully functioning model. The following is a guest post from Phillip Reeve. a7 III digital camera pdf manual download. Having said this, it’s common for lenses – even optically very good lenses – to be considerably less sharp towards the edges of the frame than they are in the center when used at wider apertures. And here eye-tracking really makes a difference, helping to nail shot after shot even under tricky lighting conditions. And cinematographers often have both the time and opportunity to be more experimental in their approach. No more than most comparable 35mm lenses though. higher ISO or slower shutter speed). Or do you consider true manual focus to be essential? If using old manual lenses sounds like too much hassle, though, there are many great (but not nearly as cheap) modern manual lenses available for use with the Sony a7III. For those who prefer to benefit from the advantages of fast and accurate modern autofocus, however, Sony’s range of native lenses for the a7III will likely prove the better choice. Alternatively, slide the focus ring away from the camera to switch over to autofocus mode; which is snappy and accurate in most lighting conditions, but occasionally struggles in low light. These can be distracting. For a start, this is a “power zoom.” Which means that the zoom mechanism is motorized and will move smoothly from telephoto to wide angle focal lengths (and back again) at the flick of a switch. For example, some bokeh is beautifully soft and smooth. These G-Master lenses are generally superb, so it comes as no surprise to discover that the FE 24-70mm f/2.8 GM is one of the best lenses for video on the a7III. As you may have noticed, I’m a bit of a fan of prime lenses, and there are a few within the zoom range of the 16-35mm that bear mentioning. In reality though, the best wide angle lens for the Sony a7III is simply the right wide angle lens … With that said though, it’s also the biggest, heaviest, and most expensive. This means choosing a lens that produces attractive bokeh. In part this is because it offers a full frame sensor and impressive pro-photography specs at a highly accessible price point. Having gone to the trouble of achieving the shallow depth-of-field look by blowing the background totally out of focus (see Maximum Aperture, above), you’ll want to be sure that those out of focus areas actually look good. But when you consider that it’s also one of the sharpest lenses available today – sharper even than the Zeiss Batis 135mm f/2.8, and faster to boot – then the price of the Sony 135mm f/1.8 is actually a bit of a steal. If you’ll largely be using audio recorded by a dedicated audio operator with an external mic boom, this is probably not an issue you really need to worry about. Top 7 Best Wide Angle Lenses for Sony a7III, Top 7 Best Portrait Lenses for Sony a7III. FREE Shipping by Amazon. The thing is, though, a fast maximum aperture is an advantage you can usually expect to pay more money for. Why manual lenses on the Sony a7 series are a smart choice. There is, however, some very slight noise from the motors. As I said above, modern lenses all tend to perform pretty well on sharpness. Sony Manual Focus lenses. Sony FE 90mm f/2.8 Macro G OSS Lens (B&H, Amazon) If you start shooting details at a wedding, … But it’s also very well built, handles beautifully, and produces excellent quality images. And if you’ve got your focus nailed for a shot, and then need to zoom mid-take, you don’t want to find out in the editing room that the second half of the clip is unusably soft because you accidentally moved the point of focus off the subject while zooming. You can also browse by manufacturer in the Lens Index section. But essentially the videographer strives for technical proficiency in difficult shooting conditions, and therefore prefers to use whatever techniques help to get the job done with the least amount of fuss. Sigma’s award-winning Art … Editor’s Rating: 4.7/5. The lens displays great contrast, even in tricky light. 1-16 of 943 results for "Lenses for Sony A7iii" Sony FE 20mm F1.8 G Full-Frame Large-Aperture Ultra-Wide Angle G Lens, Model: SEL20F18G. Meaning that you can easily achieve beautiful shallow depth-of-field shots, without losing foreground resolution. Bucking the modern trend for all-electronic exposure control, the lens features a manual aperture ring that is adjustable in clicked increments of one third of a stop. And even this clears up when you stop down to f/2. Or on the flip side, to reduce your exposure on those bright sunny days for a well-balanced result. Indeed, autofocus is extremely fast and precise – even when used on a moving subject. I blog and publish articles about camera lenses here at lensguide.io. The best zoom lenses for the Sony a7 III. However, you’ll need an adapter in order to use them, and don’t expect the experience to be the same as with a modern lens. To be sure, you should definitely avoid any lens that suffers from serious issues in this area. Sony FE 24-70mm f/2.8 GM Lens ($2,198): The best 24-70mm lens! The only way to know is to try before you buy. Speed and convenience are not top priorities. This permits you to film while you zoom, yet without any noticeable “focus breathing.”. But be wary of making your ISO t… View on BH. Finally, while “manual” focus is actually of the electronic variety, the Planar 50mm offers one of the most satisfying focus-by-wire experiences around, with the focus ring well dampened and responsive to the slightest touch. This makes the lens less suitable for situations in which you might want to use audio recorded from the camera itself. Sure, there’s some slight drop-off in sharpness towards the edges of the frame at the widest aperture. What makes this lens so valuable for videographers though is simply how sharp it is; even at f/1.8, images are crisp and detailed across the frame. Luckily the Sony A7RII provides a couple of great tools to help you get that sharp focus when manually focusing with third party lenses. Hope you find them helpful, don’t hesitate to leave a comment! But don’t let that put you off, as it’s supremely good at what it does. And not all Sony lenses are ideal for shooting video. Lensguide.io is a participant in the Amazon Services LLC Associates Program, an affiliate advertising program designed to provide a means for sites to earn advertising fees by advertising and linking to Amazon.com. Manual focus with this lens is of course “by wire,” and so there are no focus stops. Indeed, likely much better when you turn stabilization off their subject in the lens ideal shooting... Excellent accuracy FS7 is quite a lot of overlap between the two categories ; and... Very clear exceptions to this rule buttons and a blurry background the art of storytelling the. 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